This series will offer an overview of the four main stages in twentieth century poetry. If you feel ignorant about American contemporary poetry–its aesthetic history, its major schools, and its major gures—and aren’t sure where to start, this course will give you a road map, and introduce you to the delightful characters and vivid experiences found on the uniquely American journey through this national art form.
March 10: Slam I – Modernism: The Twenties
March 17: Slam II – Loose Women, Beatniks and Flaneurs: The Fifties
Ann Sexton has sex in the kitchen!
Sylvia Plath cuts off her thumb!
Allen Ginsberg sweet talks a Sunflower!
Frank O’Hara goes to the Movies!
Robert Bly makes Surrealism American!
March 24: Slam III – The Narrative and Meditative Humanists: The Seventies and Eighties
CK Williams, Sharon Olds, Stephen Dunn, Louise Gluck
March 31: Slam IV – From the Narrative to the Postmodern: The Nineties
Lyn Hejinian, Language Poetry, and John Ashbery
Tony Hoagland is the author of three volumes of poetry: Sweet Ruin (winner of the Brittingham Prize in Poetry), Donkey Gospel (winner of the James Laughlin Award of The Academy of American Poets), and What Narcissism Means to Me, and a collection of essays about poetry, Real Sofistikashun. His poems and critical essays have appeared in American Poetry Review, Poetry Magazine, and Ploughshares. Mr. Hoagland has received many awards and prizes, including the 2005 O.B. Hardison, Jr. Prize awarded by the Folger Shakespeare Library, the only national prize to recognize a poet’s teaching as well as his art; the 2005 Mark Twain Award, given by the Poetry Foundation in recognition of a poet’s contribution to humor in American poetry; and in 2007 he was the first recipient of the Jackson Poetry Prize. Mr. Hoagland teaches in the University of Houston graduate writing program and in the Warren Wilson College low residency MFA program in North Carolina. His new collection of poems, Unincorporated Persons in the Late Honda Dynasty, will be issued in January 2010.
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